200
0
130 px

V podstatě je to všechno stejně jen pouhý trik.

400
1
16 px

I, Alexandre Manette, unfortunate physician, native of Beauvais, and afterwards resident in Paris, write this melancholy paper in my doleful cell in the Bastille, during the last month of the year, 1767. I write it at stolen intervals, under every difficulty. I design to secrete it in the wall of the chimney, where I have slowly and laboriously made a place of concealment for it. Some pitying hand may find it there, when I and my sorrows are dust.

“These words are formed by the rusty iron point with which I write with difficulty in scrapings of soot and charcoal from the chimney, mixed with blood, in the last month of the tenth year of my captivity. Hope has quite departed from my breast. I know from terrible warnings I have noted in myself that my reason will not long remain unimpaired, but I solemnly declare that I am at this time in the possession of my right mind—that my memory is exact and circumstantial—and that I write the truth as I shall answer for these my last recorded words, whether they be ever read by men or not, at the Eternal Judgment-seat.

“One cloudy moonlight night, in the third week of December (I think the twenty-second of the month) in the year 1757, I was walking on a retired part of the quay by the Seine for the refreshment of the frosty air, at an hour's distance from my place of residence in the Street of the School of Medicine, when a carriage came along behind me, driven very fast. As I stood aside to let that carriage pass, apprehensive that it might otherwise run me down, a head was put out at the window, and a voice called to the driver to stop.

I, Alexandre Manette, unfortunate physician, native of Beauvais, and afterwards resident in Paris, write this melancholy paper in my doleful cell in the Bastille, during the last month of the year, 1767. I write it at stolen intervals, under every difficulty. I design to secrete it in the wall of the chimney, where I have slowly and laboriously made a place of concealment for it. Some pitying hand may find it there, when I and my sorrows are dust.

“These words are formed by the rusty iron point with which I write with difficulty in scrapings of soot and charcoal from the chimney, mixed with blood, in the last month of the tenth year of my captivity. Hope has quite departed from my breast. I know from terrible warnings I have noted in myself that my reason will not long remain unimpaired, but I solemnly declare that I am at this time in the possession of my right mind—that my memory is exact and circumstantial—and that I write the truth as I shall answer for these my last recorded words, whether they be ever read by men or not, at the Eternal Judgment-seat.

“One cloudy moonlight night, in the third week of December (I think the twenty-second of the month) in the year 1757, I was walking on a retired part of the quay by the Seine for the refreshment of the frosty air, at an hour's distance from my place of residence in the Street of the School of Medicine, when a carriage came along behind me, driven very fast. As I stood aside to let that carriage pass, apprehensive that it might otherwise run me down, a head was put out at the window, and a voice called to the driver to stop.

700
1
300 px

*Törkylempijävongahdus

300
3
75 px
The quick brown fox jumps over the lazy dog. (35 letters) (Used to test typewriters and computer keyboards, and as sample text; famous for its coherency, dating back to 1888. Sometimes erroneously quoted with “jumped”, omitting the letter s.)
500
1
200 px

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Characters overview

Latin characters

  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • X
  • Y
  • Z
  • a
  • b
  • c
  • d
  • e
  • f
  • g
  • h
  • i
  • j
  • k
  • l
  • m
  • n
  • o
  • p
  • q
  • r
  • s
  • t
  • u
  • v
  • w
  • x
  • y
  • z

Latin plus diacritics

  • À
  • Á
  • Â
  • Ã
  • Ä
  • Ā
  • Ă
  • Å
  • Ǻ
  • Ą
  • Æ
  • Ǽ
  • Ć
  • Ĉ
  • Č
  • Ċ
  • Ç
  • Ď
  • Đ
  • Ð
  • È
  • É
  • Ê
  • Ě
  • Ë
  • Ē
  • Ĕ
  • Ė
  • Ę
  • Ĝ
  • Ǧ
  • Ğ
  • Ġ
  • Ģ
  • Ĥ
  • Ħ
  • I
  • Ì
  • Í
  • Î
  • Ĩ
  • Ï
  • Ī
  • Ĭ
  • İ
  • Į
  • Ĵ
  • Ķ
  • Ĺ
  • Ľ
  • Ļ
  • Ł
  • Ŀ
  • Ń
  • Ñ
  • Ň
  • Ņ
  • Ɲ
  • Ŋ
  • Ò
  • Ó
  • Ô
  • Õ
  • Ö
  • Ō
  • Ő
  • Ø
  • Ǿ
  • Ŕ
  • Ř
  • Ŗ
  • Ś
  • Ŝ
  • Š
  • Ş
  • Ș
  • Ť
  • Ţ
  • Ț
  • Ŧ
  • Þ
  • Ù
  • Ú
  • Û
  • Ũ
  • Ü
  • Ū
  • Ŭ
  • Ů
  • Ű
  • Ų
  • Ŵ
  • Ý
  • Ŷ
  • Ÿ
  • Ź
  • Ž
  • Ż
  • IJ
  • Ə
  • à
  • á
  • â
  • ã
  • ä
  • ā
  • ă
  • å
  • ǻ
  • ą
  • æ
  • ǽ
  • ć
  • ĉ
  • č
  • ċ
  • ç
  • ď
  • đ
  • ð
  • è
  • é
  • ê
  • ě
  • ë
  • ē
  • ĕ
  • ė
  • ę
  • ĝ
  • ǧ
  • ğ
  • ġ
  • ģ
  • ĥ
  • ħ
  • i
  • ì
  • í
  • î
  • ĩ
  • ï
  • ī
  • ĭ
  • į
  • ĵ
  • ķ
  • ĸ
  • ĺ
  • ľ
  • ļ
  • ł
  • ŀ
  • ń
  • ñ
  • ň
  • ņ
  • ɲ
  • ŋ
  • ò
  • ó
  • ô
  • õ
  • ö
  • ō
  • ő
  • ø
  • ǿ
  • ŕ
  • ř
  • ŗ
  • ś
  • ŝ
  • š
  • ş
  • ș
  • ß
  • ť
  • ţ
  • ț
  • ŧ
  • þ
  • ù
  • ú
  • û
  • ũ
  • ü
  • ū
  • ŭ
  • ů
  • ű
  • ų
  • ŵ
  • ý
  • ŷ
  • ÿ
  • ź
  • ž
  • ż
  • ij
  • ə

Proportional lining figures

  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9

Tabular lining figures

  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9

Proportional oldstyle figures

  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9

Tabular oldstyle figures

  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9

Superscripts figures

  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • (
  • )
  • +
  • =

Subscripts figures

  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • (
  • )
  • +
  • =

Ligatures

  • fb
  • fff
  • ffi
  • fh
  • fi
  • fj
  • fk
  • fl
  • ff

Punctuation, symbols, math

  • ¼
  • ½
  • ¾
  • _
  • -
  • (
  • '
  • )
  • [
  • ]
  • {
  • }
  • #
  • %
  • '
  • '
  • "
  • *
  • .
  • ,
  • :
  • ;
  • !
  • ¡
  • ?
  • ¿
  • /
  • \
  • |
  • ¦
  • @
  • &
  • §
  • ·
  • +
  • ±
  • ÷
  • ×
  • =
  • <
  • >
  • ¬
  • $
  • ¢
  • £
  • ¤
  • ¥
  • ^
  • ~
  • ©
  • ®
  • °
  • «
  • »

Stylistic sets 01

  • C
  • Ç
  • Ć
  • Ĉ
  • Ċ
  • Č
  • G
  • Ĝ
  • Ğ
  • Ġ
  • Ģ
  • Ǧ
  • S
  • Ś
  • Ŝ
  • Ş
  • Š
  • Ș
  • s
  • ś
  • ŝ
  • ş
  • š
  • ș
  • j
  • ĵ

Stylistic sets 02

  • a
  • à
  • á
  • â
  • ã
  • ä
  • å
  • ā
  • ă
  • ą
  • ǻ

Stylistic sets 03

  • a
  • à
  • á
  • â
  • ã
  • ä
  • å
  • ā
  • ă
  • ą
  • ǻ
  • g
  • ĝ
  • ğ
  • ġ
  • ģ
  • ǧ

Smallcaps

  • A
  • B
  • C
  • D
  • E
  • F
  • G
  • H
  • I
  • J
  • K
  • L
  • M
  • N
  • O
  • P
  • Q
  • R
  • S
  • T
  • U
  • V
  • W
  • X
  • Y
  • Z
  • À
  • Á
  • Â
  • Ã
  • Ä
  • Ā
  • Ă
  • Å
  • Ǻ
  • Ą
  • Æ
  • Ǽ
  • Ć
  • Ĉ
  • Č
  • Ċ
  • Ç
  • Ď
  • Đ
  • Ð
  • È
  • É
  • Ê
  • Ě
  • Ë
  • Ē
  • Ĕ
  • Ė
  • Ę
  • Ĝ
  • Ǧ
  • Ğ
  • Ġ
  • Ģ
  • Ĥ
  • Ħ
  • I
  • Ì
  • Í
  • Î
  • Ĩ
  • Ï
  • Ī
  • Ĭ
  • İ
  • Į
  • Ĵ
  • Ķ
  • Ĺ
  • Ľ
  • Ļ
  • Ł
  • Ŀ
  • Ń
  • Ñ
  • Ň
  • Ņ
  • Ɲ
  • Ŋ
  • Ò
  • Ó
  • Ô
  • Õ
  • Ö
  • Ō
  • Ŏ
  • Ő
  • Ǫ
  • Ø
  • Ǿ
  • Œ
  • Ŕ
  • Ř
  • Ŗ
  • Ś
  • Ŝ
  • Š
  • Ş
  • Ș
  • Ť
  • Ţ
  • Ț
  • Ŧ
  • Þ
  • Ù
  • Ú
  • Û
  • Ũ
  • Ü
  • Ū
  • Ŭ
  • Ů
  • Ű
  • Ų
  • Ŵ
  • Ý
  • Ŷ
  • Ÿ
  • Ȳ
  • Ź
  • Ž
  • Ż
  • IJ
  • 0
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7
  • 8
  • 9
  • (
  • )
  • [
  • ]
  • {
  • }
  • #
  • %
  • .
  • !
  • ¡
  • ?
  • ¿
  • /
  • \
  • |
  • @
  • &
  • §
  • $
  • £
  • ¥
  • ©

About the font

Kobyla is a workhorse serif family for everyday use. Each font contains various alternative letterforms and is packed with many useful OpenType features including small caps. Kobyla supports the readability of both printed and digital texts. Its simple and neutral form blends into a message context naturally making the font a superior supplement to your design.

Trial versions

Download all of our trial fonts in one package. You will find there desktop (.otf), web (.woff2) and variable formats (.ttf, .woff2). Every font includes basic latin characters (Aa–Zz), figures (0–9), period with exclamation mark and stylistic sets if relevant.

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